Turns out I have PTSD (Post-Traumatic Stress Syndrome) which makes me extremely sensitive to stimulation, particularly sound and music. It was mostly caused by a bad car accident I had 5 years ago in Los Angeles. Since that event, trying to compose or get near an instrument is not a pleasant experience. It’s gotten worse over the years, and I’m finally undergoing therapy for it. Maybe someday I’ll be able to make some music again. Until then, you can enjoy all of my previous recordings. If you’re a fan of my work, consider supporting it by shopping at my official store: MutantMall.com.

Or try one of the sources below.

SIR MILLARD MULCH

“How To Sell The Whole F#@!ing Universe To Everybody… Once And For All!”
(Mimicry / MutantMall.com, 2005)

Spotify || Bandcamp || MutantMall.com || CDBaby || iTunes

“The De-Evolution of Yasmine Bleeth – Special Edition” (MutantMall.com, 2006)
CDBaby

DR. ZOLTAN ØBELISK

“Why I Am So Wise, Why I Am So Clever, And Why I Write Such Good Songs…”
(MutantMall.com, 2009)
MutantMall.com || Bandcamp || iTunes || CDBaby

“Emily Dickinson Kindly Stops For Selective Serotonin Re-Uptake Inhibitors”
(MutantMall.com, 2008)
iTunes || CDBaby

VOICE OF NOTHING

“Post Hoc, Ergo Propter Hoc” (Partial Productions Limited, 1993)
CDBaby || iTunes

More music stuff will appear here soon.

Decibel Magazine: “For your fucked up tastes, you might just have found the most entertaining album ever. Seriously.”

DRUM! Magazine: “Utterly Unperformable. Bizarre.”

Kerrang: “Jokey prog work-outs to entertain and enlighten you through laughter.”

ScenePointBlank: “If I had to nominate an album for the most bizarre and intriguing release of 2005 thus far, I would have no problem choosing this. If you are looking for something to blow your mind, then by all means go out and purchase it.”

Ian Koss, INK19 Magazine: “Sir Millard Mulch takes computer music sequencing to extremes, creating music so dense and hyperkinetic that not even Nintendo would want to touch it.”

Trey Spruance (Mr. Bungle / Faith No More / Secret Chiefs 3): “It’s like Stravinsky, only CRAZIER!”

Steve Vai: “…The world should hear it but unfortunately the world is brainwashed right now. …wild stuff, boy!”

Scott Thunes (Frank Zappa, The Vandals): “Someone I know needs to switch to decaf.”

Virgil Donati (Planet X, Vai): “Very happening.”

OJEMusic (Dutch Rock Magazine): “Na het maken het bizarre album waren zijn collega’s en hij “delighted as frogs with new ice skates.”

Paul Gilbert (Mr. Big, Racer X): “Wow, that music is crazy! I’m jealous of your many articulate opinions. I struggle with being articulate on many issues. But I can talk passionately about Alex Van Halen and Ringo Starr using big washy cymbals. Hopefully this will redeem me when I most need it.”

Flipside Magazine: “This is likely the product of a bunch of Monty Python fans and Subgeniuii. Indeed, it sounds like many of these are theme songs for TV shows that never existed. I really want to meet the people that put this together, but not let them know where I live, you know?”

Mike Keneally: “You sick bastard. That stuff sounds fantastic!”

Mike Portnoy (Dream Theater): “Your new CD sounds VERY interesting! I’d love to hear it if you care to pass it on when it’s ready….”

Eman Laerton (You Have Bad Taste In Music): “Your signature should be organized into chapters.”

Nina Gordon (Veruca Salt): “That’s awesome, that’s really cool! I’m honored. Flattered.”

Paulo Baldi (Cake, Les Claypool’s Flying Frog Brigade): “How could I possibly fully understand such madness?”

Focus Magazine: “While a lot has been mentioned about the infamous in-humor and clever dick ditties that fill up his albums (with a sharp sarcasm that dwarfs They Might Be Giants), it’s the complexity and creativity of his instrumental work that remains pants-dropping amazing.”

Ralf Spight (Victims Family): “Truly weird.”

Dave Meros (Spock’s Beard): “I can’t stop listening to it! It’s insane!”

The Spaced Haitian: “Your business drive is unparalleled… I was friends with Marilyn Manson from 90-93 and watched him ‘work’ the industry, and you’ve got him beat down!”

Mishmash Magazine: “Much like the manipulative musical manner of Mr. Zappa, Sir Mulch has shown us just enough of his genius to make us uncomfortable…Muzak for the insane.”

Slipperman: “Mulch is not to be trusted. His head is pointy and his feet are rather small.”

Don Joyce (Negativland): “I’m not even going to see what this is.”

Bryan Beller (Mike Keneally, Dweezil Zappa, Steve Vai): “You are one freaked out dude. My word.”

Ruta Sepetys, LIT’s Manager: “Unbelievably creative… but I can’t afford the $10,000 for your brain surgery.”

The Fritz Magazine: “Whoa, this is a lot to take in. Overall, this is a really interesting and intriguing record, though a bit too much to digest all at once.”

John Wozniak (Marcy Playground): “You guys should respect Millard more…”

Dan Rathbun (Sleepytime Gorilla Museum): “If there are markets where you actually have a big draw, that would give us a little more leverage to get you on for a few shows this tour, but i can’t promise anything.”

Mixerman: “The guy is a frickin’ riot, and he’s unflappable!”

Mark Borchardt (American Movie): “I’ll drink a Pabst for you.”

Devin Townsend (Strapping Young Lad): “You poor motherfucker. You can quote me on that.”